Skip to main content

Māori journalist becomes first person with facial markings to present primetime news


 A Māori journalist has made history in New Zealand by becoming the first person with traditional facial markings to host a primetime news program on national television.

Oriini Kaipara made headlines worldwide after hosting her first 6 p.m. bulletin for Newshub on the TV channel Three, with many lauding the milestone as a win for Māori representation.

"I was really elated. I was over the moon," Kaipara told CNN of the moment she found out she would cover the primetime slot. "It's a huge honor. I don't know how to deal with the emotions."

Kaipara's Christmas Day presenting role was the first of six consecutive days covering for the primetime news show's permanent anchors, although her stint will continue into early January and she said she may be called again in the future.


Māori facial markings get visibility boost following appointment of New Zealand foreign minister

The 38-year-old is already the permanent anchor of the 4:30 p.m. "Newshub Live" bulletin, and previously made history in 2019 while working at TVNZ, when she became the first person with Māori facial markings to present a mainstream TV news program.

In the tradition of the Māori people, who are the indigenous people of what is now New Zealand, facial markings are tattooed on the chin for women and known as moko kauae, while for men they cover most of the face and are known as mataora.

Kaipara got her "moko" in January 2019, which she says was a personal decision she made for grounding reasons, to remind her of her power and identity as a Māori woman.

"When I doubt myself, and I see my reflection in the mirror, I'm not just looking at myself," Kaipara told CNN. "I'm looking at my grandmother and my mother, and my daughters, and hers to come after me, as well as all the other women, Māori girls out there and it empowers me."

Popular posts from this blog

Cricket Future Tours Program Till 2020

Month Tournament Details Apr - May 2015 IPL 2015   Matches: 76 T20  Venue:   India June 2015 India tour of Bangladesh 2015   Matches: 2 Test and 3 ODI  Venue:   Bangladesh August 2015 Pakistan tour of India 2015   Matches: Unknown  Venue:   India September 2015 Champions League T20 2015   Matches: 23 T20  Venue:   N/A Oct - Dec 2015 South Africa tour of India 2015   Matches: 3 Test, 7 ODI and 2 T20  Venue:   India Dec 2015 - Jan 2016 Sri Lanka tour of India 2015-16   Matches: 3 Test  Venue:   India Jan - Feb 2016 Australia tour of India 2016   Matches: 7 ODI and 2 T20  Venue:   India Feb - Mar 2016 India tour of West Indies 2016   Matches: 3 Test, 5 ODI and 1 T20  Venue:   West Indies Mar - Apr 2016 T20 World Cup 2016   Matches: 27 T20  Venue:   India Apr - Jun 2016 IPL 2016   Matches: 76 T20  Venue:   India May 2016 West Indies Tri Series 2016   Matches: 7 ODI  Venue:   West Indies June 2016 Pakistan vs India 2016   Matches: Unknown  Venue:   Pakistan/UAE Jul - Aug 2016

Can seaweed help solve the world's plastic crisis?

  After you finish your fries, eat the ketchup packet. When you add your pasta to boiling water, toss the bag into the pot, too. If these instructions sound confusing to you, it's only because you haven't yet heard of Notpla, a London-based startup company that is designing a seaweed-based replacement for single-use plastic packaging. Founded in 2014, the company closed a £10 million ($13.5 million) Series A financing round last month, led by the VC firm Horizons Ventures, to scale and further develop its product line. Notpla's products are meant to be composted or dissolved after use -- though some are edible, too. Current offerings include sachets for condiments, water and even alcohol; a film wrap for products in your pantry or bathroom, like coffee or toilet paper; and takeaway boxes that replace plastic-based coating with seaweed lining to make them fully biodegradable. The Ooho can replace condiment packets and other single-serve liquids, while the seaweed-lined takea

A flair for the unusual

From a sluggish first half, Solo takes flight to a surreal world. Solo; Rana Dasgupta, HarperCollins, Rs. 395. With Solo , Rana Dasgupta again demonstrates an unusual flair for the short story; for, though Solo is a novel, it is really the self-contained, story-like chapters of the second half of the book that are remarkable. In the latter part, the writing frees itself from an uneasy heavy-handedness that slows down and mars the book’s first part. No doubt the first half is meant to give readers a sense of the sluggish, unrelenting pathos of real life (which does get through), however the structure seems unable to prevent the reading from occasionally becoming a little tedious. But, for a large part of the first half, Solo does read well; a few sharp cuts might have prevented readers from getting a little fed with how long it takes the writer to show us what life means for the 100-year-old, blind Ulrich, sitting alone in his derelict flat and re-membering his own listless past and